![]() I make this important distinction because no matter how hip your lines are – if you don't phrase them well, you’re gonna end up sounding like a seventh grader in a middle school jazz band. Which brings me to Phrasing Secrets, my course that will teach you how to play as opposed to what to play. Moral of the story: Try transcribing at least one solo by your favorite artist from start to finish.Īnd now that I've made my case for playing the long-game, I want to share with you some shortcuts and strategies that do make abstract concepts like time feel and phrasing more tangible. That's why having long-term relationships with your transcribed solos can be more fruitful than a bunch of musical one-night stands. It's something that's usually absorbed on a subconscious level, like when a child grows up learning the local accent.Īnd here's the thing.subconscious learning takes time. That's because phrasing is less tangible than pitches and rhythms. Still, I'll sometimes lift a one-off lick here or there to build my vocabulary or dissect a melodic, harmonic, or rhythmic maneuver that caught my ear.īut the times when I've thrown myself into a single solo for weeks on end were also the times of insane growth in my playing, especially when it came to phrasing. You just can't get as deep by cherry picking a few cool lines from a solo you like. You get to know a roommate far more than you'd know an acquaintance or even a friend.Īnd that long-term relationship with a single piece of music will help you better internalize everything from the notes themselves, to the subtleties of how the instrument sounds, to the nuanced phrasing with which the soloist plays. ![]() You see, living with a solo for an extended period is like living with a person. I think the real challenge of transcribing an entire solo is the patience, discipline, and determination required to make it from the beginning to the end, which in some cases can take weeks or even months.īut believe you me…the fruit is worth the labor. And here's my take on what's the best use of your time in the shed.įirst, let's state the obvious: transcribing an entire solo is hard.īut it's not just because there are lots of notes to figure out. Should you transcribe the whole solo or just the parts you like the most?
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